Return with Sara from the dojo, a massage, a shower and breakfast to find Samantha still snoring lightly. Strip, slip in beside her and push a nipple into her mouth. After a while, I bring her to orgasm a couple times. Samantha is still whimpering little gasps when I carry her lanky frame into the bathroom, and set her on the toilet. She shivers until I carry her into the hot shower. After I rinse the sex away, I towel off in the bedroom, dress and gather Samantha's clothes, shoes and jacket.
Turn to find Sara naked beside me. Sara leans back against me, wraps her arms about my neck, places my free hand on her breast and lifts her lips to mine for a kiss. Finished, I whisper, "Heather and Jenny tonight," and release her. Watch her move down the hall, slim and alluring.
Samantha squeaks, "Who is that naked bitch?"
She tries to push around me, so I lift and carry her, wriggling and grunting, to the bathroom sink. My nose touching hers, I whisper, "She is a guest in my house, Samantha." Narrow my eyes when she starts to say something else, so she purses her lips and drops her eyes. "We leave in two minutes," I tell her and step out, pulling the bathroom door shut behind me.
When Samantha and I pull into the parking garage, we see Thomas watching us from the door to the casino. As we park, he turns and walks inside. Samantha turns to me and says, "I'm sorry, Jill. Do you think it's appropriate for us to be seeing each other while I'm essentially working for you?"
"No, Samantha, it isn't," I say, pulling open the car door. Locking it, I push it closed and walk around to wait for her, scanning the garage for tiny women wielding edged weapons.
"I just realized it when Thomas saw us arrive together," she says as she locks the Volkswagen's driver-side door. Falling in beside me, she looks about us and asks, "Do you think we should break it off?"
Stop and ask, "Do you want my answer now?"
"Yes . . . no . . . I don't know," says Samantha, turning to look about us. Looking at me, she takes another step, stops and says, "I think we should . . . break it off."
"Done," I tell her as we walk into the elevator. Watch her as the door closes and we ride up, but she doesn't look at me, let alone speak. Ignoring two people in the lobby, we step to the Personnel door and tap.
George smiles and greets us as he opens the upper half of the door. He opens the bottom half, holding it for us as we pass through and then closes it again as he greets the first person waiting.
As Samantha joins Thomas at the coat rack, I find Liz sitting at her desk, re-writing script details. Ask Liz why that's necessary, but she just says it's important. Stand there for a moment, looking at her.
Lifting her eyes to mine, Liz asks, "What?"
Spreading both hands, I walk out. Samantha and Thomas stand with their backs to me as they prepare coffee. Back in my office, the phone is ringing. Remove my jacket and hang it on the back of the door as Annette tells me it's Tan calling. After a little encouragement, he whispers nasty things in my ear for a minute and then says he has to go.
Sit looking at my desk. Can't work on the next issue because shooting doesn't start until Tuesday morning, which is a month ahead of schedule anyway. Realize I'm facing an entire day without a goddamn thing to do. After some thought, I realize it's time to boost productive efficiency in gaming operations.
Walk up the hall to Glenn's office where he's meeting with Carlos and a tall, slim guy in a three-piece suit—looks like a corporate lawyer or a mob accountant. Ordinarily, I don't interrupt meetings but I have nothing to do, so I walk in and sit between Carlos and the other guy.
Leaning his shoulder against mine, Carlos murmurs, "Need to talk with you after this."
"Good morning, Jill," says Glenn. "I haven't had a chance to welcome you back. Are you doing well?"
"Yup," I tell him.
"Have you met our Gaming Security Manager, Norm Kotan? Norm, this is Jill Price."
Norm and I nod politely but say nothing.
Glenn says, "We were discussing operational security training for dealers, Jill."
"Operational security," I say, "so external threats only? Cheats and thieves?"
"Excuse me, Glenn," says Norm, "Not to be blunt but what's this bitch doing here?"
Glance at him and then at Carlos, who has his hand in front of his mouth, trying to hide a smile. Look at Glenn, who is grinning. Turning to Norm, who is not smiling at all but glaring at me through big, frameless glasses, I say, "Mr. Kotan, I have the confidence of Glenn and Morty because I speak plainly. Obviously, you do too. Tell me your objective so I can help."
Norm looks at Glenn, who simply opens his hand toward him as if to say, `Go ahead.' Turning to face me, Norm says, "Alright, Kerry North wouldn't authorize training for reasons that are now obvious. As a result, our dealers don't know the current cheats and theft practices in use out there right now. Both the casino and our patrons are getting ripped off every day."
Jump in with, "However, operational security training produces no income. It only reduces losses, so your budget is limited. Norm, you know the subject. Glenn can provide models and adequate sets. Video costs what, a minimum of a thousand dollars per minute of finished tape? So, the best value would be slide photography, right?"
Norm glances at Glenn and then looks at me. "Go on," he says.
"Buy a used Nikon with a strobe, spare batteries and a quality tripod. In fact, get Marketing to buy it, because they'll need the equipment for the long term and you don't. Shoot 64 ASA color slides. Get a contract for the entire job from a local film developer to conserve budget. Rent some white sun lamps. Buy a light table with lamps for close-up photography and a light box for viewing slides. I'll snap the pictures, with you directing the scenes, Norm. Start in early January and finish by . . . the end of the month, maybe. Does that cover it?"
Wordlessly, Norm reaches toward Glenn, who hands him a sheaf of papers. Norm hands them to me.
Scan through them. I could have read my little speech directly from these pages, down to the rented and purchased items.
"Wait! I was over at the Galeti Way storage facility with Dick in Purchasing. He has four big lamp stands over there."
"Really," says Norm, glancing at Glenn. "Did you know that?"
"Nope," says Glenn.
"Me neither," says Carlos.
"I'll handle scripts, personnel and the shooting schedule, Jill," says Norm. "You get the camera and peripherals and set up the contract through Purchasing to develop film."
"Hold it," says Glenn. "First, we get approval from Dick Scope. Norm, you draw up a formal proposal with resource requirements, quality levels and schedules so Morty and I can sell it to Dick. Then, we can start buying stuff and arranging schedules."
"How do you justify Jill's participation?" asks Carlos. "How does a communications manager get involved with operational security training?"
"Don't try to justify my participation," I tell them. Everyone looks at me. Norm asks, "What do you mean? You're the photographer."
Look at them but say nothing, waiting for them to get it.
"Okay," says Glenn. "We pitch it to Dick Scope with a quote from a professional photographer, which will push the price through the roof. He'll focus on that cost. Then I mention that Jill is a photographer who can shoot the whole project."
"Better yet," I say, "Whether he's head of a casino or a piss-ant dictatorship, every newly-appointed president wants to see his photographs published for all to see. When Dick makes the demand, I'll shoot the photos myself. When he sees your request, he'll remember."
"I was right at the beginning of this conversation," says Norm. "You are a bitch." Grinning, he adds, "A sneaky, manipulative bitch—traits I respect. I understand why Glenn and Morty respect you."
Glenn says, "The biggest hard cost will be the camera and peripheral equipment."
"Don't put it in the proposal," says Carlos. "As Jill says, let Marketing buy it. The Marketing budget can buy the camera out of petty cash. Annette can give you a signed purchase order from her desk on verbal okay from Kevin for the peripheral equipment."
"Let me pitch it to Kevin," I say. "I got that bitch in my pocket."
The three guys look at me and break into laughter.
Morty walks in grinning and leans against the doorframe. "What did I tell you, Norm?"
"Oh, this is who you were talking about? I pictured a blonde with big tits and a brain the size of a peanut."
"Fuck you in the ass, Kotan," I say.
That cracks them up again, so I stand amid the laughter and move to the door. Morty hugs my waist as I put an arm on his shoulder. "I'll talk to Kevin."
"That's appropriate," says Norm. "I do the work while the bitches manipulate each other."
While they're laughing their asses off, I turn to Morty. "Is this what it's like working with these casino operations assholes?"
"It certainly is," he says. "The fact that you pissed off Kerry, Phil and Paul just proves you're a standup guy."
As the three of them look at me, I pretend to lick my fingers, grab my crotch, give it a hitch and then flip them off. That produces howls of laughter as I stride past Kelly.
"Bunch of adolescent boys, aren't they?" says Kelly.
An image of Tan crossing the street to meet me last night flashes in my mind. "Thank God," I tell her with a wink and walk back down the hall, whistling softly. Now I have a lot to do.
Carlos catches up with me and softly says, "Got you on tape walking out to the parking garage late yesterday afternoon, Jill. A few seconds later, one of the porters follows you. You show up after a few minutes, change your clothes in the restroom and walk out to the garage. Come back, make a phone call and leave." When I nod, he says, "That porter has disappeared. No one has seen or heard from her since."
Shrugging, I say, "Put my gym bag in the trunk, made the phone call and left."
"See the porter?"
Shaking my head, I lie and say, "No, but I did talk to someone in the garage before I came in to change."
"Who?"
"Megan. She's a dietitian."
Watching me, he says, "That porter hires on two days ago. Yesterday, she follows you out to the garage and disappears." When I don't respond, Carlos says, "Happens to be your first day back from nearly two weeks' absence after you kill a half dozen professional hitters armed to the teeth and after you kick the shit out of six guys behind your house." Still don't respond so he says, "Which happens to be two days after someone scares the warehouse super into resigning and leaving town."
Look at him for a moment before I say, "Talk to Megan, Carlos. She'll tell you that nothing happened in that garage while we were out there. You want her number?"
He growls, "Always got an alibi and a witness." When I ask if he has any more questions, Carlos shakes his head and walks up the hall.
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