Doc's Place

© 2008, Michel Grover. All rights reserved.
Chapter 20 | Part 2
Thursday, October 18, 1984

When I get back to Doc's, I visit the ladies' room to clean up and brush my teeth. The pain in my shoulder and leg constantly grinds at the background of conscious thought. At my desk, I take out several receipts, fill out the expense form I got from Annette Pernot, the Marketing secretary who sits right outside my office door. Scribble a quick memo stating the purpose of the expenses and hand it to Annette to type.

Outline the announcement to all Doc's Place executives and managers that explains the objectives and purpose of taping their meetings and discussing the issues afterwards. Make up a couple juicy quotes—one from Peter and one from Louise. Ignore Phil, who doesn't know anything about the project anyway. Hand this to Annette to type and walk over to see Dick in Purchasing.

Dick and Carlos are talking across the dutch door into the Purchasing office. "There's my favorite lady," says Dick. "Carlos tells me you've been out with an injury. I didn't know `cause nobody tells me anything. Not serious I hope."

"Naw," I tell him. "How are you two doing?"

They shrug. Carlos says, "Ready for a rematch yet, Price?"

"Against you? Sure," I tell him. Looking at Dick, I ask, "Got a minute, Dick?"

"For you, kid? Absolutely." He opens the door. Looking at Carlos, he says, "Excuse me, Carlos. I have someone important to see me."

"Yeah, yeah. See you later." Carlos waves and walks away.

Sally is not at her desk, must be at lunch. Sit beside Dick's desk and say, "Karen can deliver the layouts to the printer this afternoon, Dick."

"Okay, I'll call `em and find out when the proofs will be ready for your review. When do you want the job finished?"

"No rush. I wanted to ask you about the fulfillment house you use, though."

"Local business, next door to the printer. Do good work, fair price."

"Can you have the printer dump most of the order on them and let `em know they're coming?"

"Sure. What's the run this issue?"

"What is it usually?"

"Two thousand. Fourteen hundred employees and the rest for collectors, executives, stockholders, and so on."

"Make it three thousand this time. Louise thinks they'll be beating down the door for copies of this issue."

"If you did it, I believe it, kid," says Dick. "Be the best issue we've ever done."

"Thanks, Dick. I have names and addresses to add. Can you see that the fulfillment house gets this list?" Hand him a list I made up yesterday. "How many copies do we usually get over here?"

"Two hundred."

"That's fine. I'll take twenty, okay?" Stand up.

"You got it, kid. It's good to have you back."

"Any more trouble from Lou?"

"On his graphic designer? No, I told him I went out for competitive bid and he just said okay."

"Good. See you later, Dick."

"Oh, just a quick question about the Raiders game Sunday, Jill," says Dick, glancing up and down the hallway. He points at the odds sheet from the sports book and asks, "Think the combined score will be over this?"

Glancing down, I say, "Those are the odds on combined score for the Raiders-Chargers game? That's ridiculous. Bet the over."

"Think it's worth a twenty?"

"It's worth a hundred, Dick."

"Sure? That's a lot of money, hon."

"I'm positive."

"Okay, see you later, Jill," he says, stuffing the sheet in his pants pocket. Thanks for stopping by."

Back my office, I find the expense memo and the announcement with a review copy lying on my desk. Both are perfect. Clip the memo to my expenses and walk out with both. Smile at Annette. She is using the phone but waggles her fingers at me.

Louise is struggling over words scribbled on a pad. "Hey boss," I tell her and drop the announcement and expense package on her desk.

She looks at the package, and says, "Oh, good." Then she picks up and reads the announcement. "Why, you already have a quote from Peter and me in here. How did you know what to say?"

"You talk, I listen, Louise. Think Peter will like his words?"

"Probably, but you should read the instructions he left for you." She hands me a sealed envelope.

Tear it open but the single page inside is blank. Slip it inside my jacket pocket. "About the same as I wrote," I tell her, crumpling the envelope. Almost toss it at the trashcan in the corner but set it on her desk instead.

"Do you think Mr. Marriott should review this?" asks Louise, picking up the crumpled envelope and dropping it in the trash.

"No, I think you should approve it as is. Tell Liz to distribute it with the schedule Monday morning."

"Oh, Phil must approve it first. By the way, didn't Mr. Marriott tell you to quote him too?"

"You think Phil will allow himself to be quoted on a project he knows nothing about? I don't think so."

"Nevertheless, professional courtesy demands that I run this by Phil. I'll return it to you later this afternoon, hopefully, if he reviews it. He hasn't approved anything lately."

Stand slowly so as not to irritate wounds. "Okay boss. I'll talk to you later."

Back in my office, pick up the original typed announcement and carry it down to Liz's office. She is making notes on the perfectly good scripts. Toss the announcement on desk and sit down.

She picks it up without a word and reads it. Nodding, she says, "Nice quote from Peter. Write it yourself?" Without waiting for my reply, she asks, "This approved yet?"

"No but release it anyway, on my authority."

She looks at me. "You love it, don't you? Living on the edge."

"That's me, edgy. Do you have the schedule ready?"

"Oh yeah. Rumors have already begun. Everybody's excited. It'll go smooth as silk. You watch."

"I'm counting on it. Are you having fun, Liz?"

"I've never been as happy in all my life as I am working with you, Jill. The same goes for the kids. I'll hate seeing it end."

Look at her. "You've changed, haven't you, Liz? You're going to be a steamrollin' bitch after this, aren't you?"

"Damn the torpedoes and full steam ahead. Thinking of opening a private practice next spring when we finish this. Keep that under your hat."

"Sure, doing what?"

"Contract career counseling for employers in the area. What do you think?"

"It's recession proof because you can help employers find new jobs for the poor shmucks they lay off. Get a small business loan."

"Hadn't thought about that. Know anybody with money to lend?"

Leaning forward, pick up her phone and call Lloyd. Margaret puts me through immediately. "Lloyd," I say after we exchange greetings, "As a favor to me, would you meet with Liz Coates and help her set up her small business, get a loan and so on?"

"Sure, does she know who you are?"

"A friend of yours asking for a favor."

"Put her on."

"Hang on a second." Look at Liz and raise my eyebrows. "No commitments yet, just talk for now. You say when. Name's Lloyd."

"Boy, you don't mess around, do you?" She reaches for the phone. "Hello, this is Liz," she says.

Wave at her and walk out, closing the door behind me, whistling softly. When I get back to the office, Annette tells me, "Louise says you are to meet her in the executive conference room, now."

"Thank you," I tell her and walk up the hall. People are gathering in the executive conference room so I look inside. Louise catches my eye and beckons me, so I walk over and stand beside her. Most of the executives and some managers are sitting or standing around the conference table.

Peter stands and says, "Close the doors, please." When both doors are closed, he says, "I have just accepted the resignations of Phil, Paul, Kerry and Max." He pauses while everyone stares at him in silence'a couple of whispers. "I have offered the position of President and General Manager to Dick Scope and he has accepted. I have every confidence that he will execute his responsibilities with capability, especially since he has worked here at Doc's for over twenty years. Please join me in congratulating Dick and supporting him in his new responsibilities. We have also decided to make other promotions which Dick will announce." He sits down.

Dick stands and says, "Thank you, Mr. Marriott, for your confidence in me. If I have had any success here at Doc's, it is because I received support from the wonderful people here. My fellow employees are like family to me. I look forward to serving with you."

"I have asked Larry Witty to serve as my Vice President and he has graciously accepted. I have also asked Morty St. James to serve as Director of Slot Operations and Glenn Tyler as Director of Table Game Operations. Both have accepted. I have asked Kevin McVay to accept the position of Director of Marketing and Louise Northcutt to accept the position of Director of Human Resources. They have accepted as well. Thank you all for your support and please join me in congratulating these fine people on their new responsibilities. Any questions?" asks Dick, looking about at the silent group.

"Does anybody know what those guys are doing?" asks Carlos. "I thought they'd been acting strange lately."

Peter stands again and Dick sits down. "Phil told me today that they have formed an investment group to manage casinos. Their first project is our competitor across the street, Killarney's Hotel and Casino."

This time, I can hear the muttering and imprecations, even some foul language.

"In fact, you may be interested to hear that Phil said he intends to put us out of business within a year, buy Doc's Place and level it. He said to tell you all to say good-bye to your customers because they'll all be his within six months."

This time, the reaction is louder.

"He said to say the same about your best, most experienced employees." Peter adds, "Well, I won't take up any more of your time, people. I'm sure you have issues to discuss, plans to make, and work to do. Dick, I'll turn the time over to you. Good day, everyone." Peter moves quickly from the room.

The room is silent for a moment and then Louise says, "I can't believe it. I thought those guys were my friends."

"The sons of bitches," says Mario Corto. "They ain't getting any of my customers and they sure ain't getting' my best people."

Immediately bored, I sidestep out of there. Carlos falls in beside me and says softly, "How long have you suspected this?"

"Since my first week. You?"

"About the same, maybe a month. You take care and watch your back now, Price."

Grin. "Looking forward to it, Carlos. Should be a barrel of laughs." Walking past my office, I remember Lucy, so I walk to the elevator and push the button.

Rose, the clerk who has been here for almost thirty years, walks up and smiles. "Hello, Jill. How are you?"

"Fine, thank you, Rose. Yourself?" "I'm fine," she says. "Heard anything new? All the bosses seem to be in a meeting."

Trust this woman no further than I can throw her inside this elevator, so I say, "Liz will be videotaping the managers and executives in their meetings and teaching them how to conduct themselves more effectively."

"Oh, silly you, everyone knows that," she says, "That is your project, Jill. We're supposed to prepare handouts about it and deliver them to the managers."

We step into the elevator. "Well there you go, Rose. You know as much as I do."

"Where are you going now?"

"To the cashier cage. May I pick you up some cash, Rose?"

"Oh sure," she laughs. "Pick me up a couple thousand for the weekend."

The elevator door opens and she turns to walk outside as I turn for the casino floor. Wave at her, turn and walk across the street to the Flamingo when I see Lucy walking toward me. "Hi Lucy, I was just coming to see if you can take a break."

"I'm on break right now. Want to take a walk?"

"Sure, let's go." We walk across the casino floor, out the front door and turn south on Virginia Street. The young girl is walking on my right side. Lucy is walking on my left.

"How have you been, Jill? Haven't heard from you in a while."

"Busy."

"Why did you want to see me, Jill?"

"I don't want to see you any more, Lucy. I don't want you to call me." She stops, so I stop too. The girl faces us, glancing from Lucy's face to mine.

Lucy is squinting because the sun is in her eyes. "Just like that, you're dumping me? Why?"

"What difference does it make?"

"I want to know. Was it something I did or said?"

"Let it go, Lucy."

"No." When I just stand there looking at her, she asks, "Why should I? You can't just drop me like that." She begins walking slowly but I stand still. She turns and says, "It hurts, you know?"

Nod. "See you around, Lucy."

She looks at me, then turns and walks away.

Watch her for a couple seconds and then turn to walk back. The girl walks beside me for a few steps before I notice she is gone. The street is sunny but the chill of autumn is in the breeze. Cold days are coming, and not too far off at that. Breathe in the air, my eyes closed.

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Doc's Place Chat
© 2008, Michel Grover.
Chapter 20 | Part 2
Winter 2011

Lucia :
Mic has posted in the left frame paragraphs from Doc's Place, one of his copyrighted stories. I'm moderating chat here in the right frame. I post every day, but I don't post everything. I have formed a secondary group from which I may also post comments.

Suze :
No one's ever dumped me or even asked me on a date but the way Jill dumps Lucy seems cold.

Doug :
Oh hell, that's nothing, Suze. In most breakups, one just walks away and begins ignoring the other. At least Jill told Lucy eye to eye and then faced her reaction.

Suze :
I've imagined my self in both their roles. Either one seems difficult. Is what Doug says true? Does one party in most couples just walk away nowadays?

Lucia :
I've never done it, Suze, but two of my friends have been on the receiving end.

Doug :
See Jill closes her eyes and takes a deep breath? As if to say, "Ah, free once more." I know the feeling.

Maria :
This is one of the first times we've seen you with something positive to say, Doug. Don't you have anything negative to say about this story portion?

Doug :
I like the way Jill returns from work and dashes off the memo, hands it to Annette for typing and then moves over to Purchasing for her next tasks, which include increasing the publication run and arranging for the first issue's distribution and mailing. I enjoy watching Jill move steadily through these tasks, dealing with people and handling details. Louise, Liz, Annette, Carlos, Dick in Purchasing and probably others are happy to see her back at work.

I like the way Jill just dashes off a quote from my dad for the announcement and then sees the blank paper from him. The two of them seem almost perfectly synchronized after only 3wks.

A few minutes after Louise tells Jill to wait for Phil's input, Jill tells Liz to publish the announcement on Jill's authorization. A few minutes later, everyone learns that Phil & the boys have gone.

When Liz tells Jill she plans to open a private practice next spring, Jill hooks her up with Lloyd. Again, no hesitation, Jill just does it. I love that, and not just because she makes a quick, clear decision. She's moving one more valuable but expensive asset out of Doc's Place. After shining on old Rose, as Benny once called her, Jill dumps Lucy without hesitation. She just does it.

In fact, if you we look at the sequence of events in this story portion, we see Jill moving unhurriedly from one situation to another, making quick and consistent decisions, and moving steadily toward her goals, which are reducing expenses and keeping the casino sale out of the media.

Anyway, to answer your question, Maria, no, I don't see anything negative to say about this story portion. It's hard to believe, I know, but it's true.

Suze :
What does Lucy have to do with Jill's goals?

Doug :

Lucy provides nothing but sexual recreation, like shooting pool or playing racquetball—although the latter provides the added benefits of networking and fitness.

Suze :
What about the value of a sexual relationship with another human being? Doesn't that count for anything?

Doug :

Not for anything beyond the experience, at least not for Jill Price—and not for me either, now that I think of it.

Suze :
You are superficial and disgusting, Doug.

Doug :
Yeah, so?

Steph :
I had forgotten that Jill told us she didn't trust Rose. When did Benny call her old Rose and when did we discuss her?

Cyril :
Jill's explanation of why she doesn't trust Rose is in dpc3:1. Benny calls her old Rose in dpc3:7 when he's discussing how careful Jill is in asking about the bar that the warehouse supervisor visits with Dick in Purchasing after work. Both mentions are brief so it's no surprise that you'd forgotten them, Stephanie.

Alice :
Don't make excuses for Stephanie, Cyril. You didn't remember it either; you showed initiative and conducted a simple search for the phrases `trust Rose' and `old Rose.' Stephanie didn't forget; she decided that she was too lazy mentally to conduct a simple search. Stephanie's an adult. She can figure out how to create and run a search on a Web site, just as you did. This issue goes back to our discussion in dpc19:2 about pretty people simply expecting someone to do things for them, which of course, someone does, which reinforces their laziness. Stephanie's only one example; Doug is another.

Raj :
If everyone has finished this line of discussion, I'd like to propose another.

Cyril :
Go ahead, Raj. Your keen insight and choice of topics has captured our interest as much as Benny's does.

Raj :

Thank you, Cyril. The tiny incident with the crumpled envelope has captured the attention of our group in Bengalaru. If Jill had tossed it at Louise's trashcan, the arc of the toss would have crossed their mutual line of sight. Tossing trash across conversational space is a sign of disrespect in any culture. The fact that Jill "almost" tossed it reveals what Jill thinks of Louise, of course. More importantly, however, almost tossing it illustrates that Jill is nearly ready to begin disrespecting Pere executives openly, according to the plan that she and Peter formed after Jill's employment interview.

Jill decides the timing is premature and chooses to set the crumpled envelope on the desk instead. This is also a sign of disrespect but less obvious. Jill implies that Louise is of little use other than handling Jill's trash. Recall what Jill has trusted Louise to do, and I think you will agree. Louise is good for little more than running errands. This is exactly how much value Jill places on Louise's contribution to her efforts.

If Jill respected the value of Louise's contributions, she would pocket the envelope and discard it later. If Louise had any pride and sense of self worth, she would have at least ignored the trash left on her desk until Jill had left her office. Instead, Louise picks up the crumpled envelope—now trash—and tosses it immediately, revealing that she does not discern the subtle criticism in Jill's actions.

With this incident, Louise leaves her self open to more disrespectful acts, intentional or unintentional, in the future. Without a doubt, Jill is preparing to show disrespect to Pere executives openly. Jill knows the four resignations and promotions are coming. Before they even occur, she is preparing to launch her open attack upon the new executives. However, she realizes that the time is premature so she restrains her self, choosing a more subtle insult until the propitious moment arrives.

Cyril :

Please accept my compliments to the group on a fascinating bit of analysis, Raj. If no one minds, I'll add another.

When Peter finishes his announcements, he excuses himself and walks out of the executive conference room. He doesn't mention anything about Jill and doesn't even look at her. In fact, he utterly ignores her. This is critically important to maintaining her cover as his agent provocateur. No one at Doc's Place realizes what she's about to begin doing to the new executive team, which is as it should be.

Doug :
That's a good point, Cyril. In the previous story part, dp20:1, Peter also gives away nothing when he backs Jill's gambit to bump Phil and his minion, Kerry, from Morty's slot operations meeting.

Maria :
As long as you guys are pointing out subtleties, I'll add one. Back in dp6:1, Louise makes a big deal out of Jill leaving the property during working hours. When Jill pushes back, Louise relents as long as Jill lets her know where she is and when she'll be back. Now, a couple weeks later, Jill walks off property for personal reasons and without telling Louise. It may seem a small thing for Jill to walk across the street to break up with Lucy, but it reinforces Raj's point that Jill is beginning to disrespect Louise openly, as she plans to do with all of the new generation of Doc's Place executives. I'm interested to see if Louise notices Jill's absence. I'm also interested in seeing how she and other executives handle it.

Steph :
I have a question about something that's been going on in the story since Jill's first day of work at Doc's Place on October 1st. Here it is October 18th, and Jill is still enabling Dick's sports gambling addiction. Is this just a minor occurrence of little or no importance or is it a big deal? Doug, what do you think?

Doug :
You're being extreme, Stephanie, calling Dick's sports gambling an addiction. She has to talk him into increasing his bet from twenty to a hundred, for hell's sake. That sounds like his usual bet is 5 or 10 bucks, max.

Jules :
I agree with Doug, Stephanie. Further, I would guess that ever since Jill has started working at Doc's Place, Dick's sports wagers have begun paying off better than usual. Notice how Dick hangs on every word she says? Dick in Purchasing is one of Jill's most devoted fans at Doc's Place.

Lucia :
Since everyone seems to have finished discussing this story part, I'd like to dump on Mic again, since no one has done so for a while and he clearly deserves it. I know Doug loves the way Jill moves steadily through her tasks. I also realize that Jill moves so smoothly that we could almost set her moves to music, but hasn't Mic already established this concept thoroughly enough already? What's the point of continuing to drive it home? To me, it seems unnecessarily wordy.

Suze :
I agree, Lucia. We know these things about Jill already; therefore, these details add no value. For example, what harm does it do to the story flow to remove them?

Steph :
I don't want to align myself with Mic on this point, because he deserves all the criticism he receives and more, but I must disagree with both of you and defend Mic's decision to include Jill's performance of these tasks, Lucia. Jill has been absent for almost two weeks during her recovery. It's important, and in some cases, critical, to establish the importance of Jill's presence to these people at work, especially to Louise and perhaps others.

Marcus :
Well said, Stephanie. I agree that others at Doc's Place are delighted at Jill's return to work, even though Mic does not mention all of them here. For example, I imagine Morty and Glenn are happy about her return but they haven't had an opportunity to discuss it with Jill yet. Even though Mic hasn't mentioned it yet, I believe it is so.

Doug :

I'd like to add my two cents in support of both Stephanie and Marcus by stating that rarely does anyone impress my father, but Jill does. In the previous story party, he tells Jill, "If you do no other thing, you have delivered on your promise. Thank you." For my father, this is an event without precedent. Instead of growing suspicious of Jill's motives, he congratulates himself for obtaining such value. He follows up with even more unqualified support by saying, "Do what you want here through the term of our agreement to accomplish our agreed objectives. Ignore obstacles and distractions. I will disembowel anyone who attempts to stop you or slow you down in achieving those objectives. Okay?"

In this story part, Mic demonstrates Jill's implementation of my father's unqualified support by telling us about these detailed tasks. These tasks may seem unnecessarily wordy at a glance, Lucia, but on closer inspection, their appearance and timing are essential.

Lucia :
I accede to the logic and evidence that the three of you use; however, Jill hasn't even worked at Doc's Place for 3wks, yet we're discussing how essential she is. People, things were moving along fine before Jill arrived.

Benny :

Ah, I see why you consider these tasks nonessential, but you are mistaken, Lucia.

Before the story begins, recall that Peter figures out Phil & company's scheme to reveal his secret plan to sell Doc's Place, thereby reducing its profitability so they can purchase the property for a deep discount. Marcus can assure you that firing them won't stop them. How can Peter stop their scheme and keep secret his plan to maintain profitability while increasing the sale price? If their scheme succeeds, he fails in his fiduciary duty to Ferro and probably loses his job, thereby ruining his career.

Peter decides to send into the fray a seemingly innocuous middle manager but in reality a lissome warrior to disrupt their scheme and assure the success of his plan. He reveals to Jill his secret plan; however, being the sneak that he is, Peter does not tell Jill of the opposition's scheme, nor does he tell her to make Phil & company believe their scheme is working. However, Jill and Ume not only figure out that part for themselves, but they also figure out how to turn Peter's obsession with keeping his plan secret to their advantage.

Meanwhile, Phil & company are running amok through Doc's Place, spreading doubt and dissension. My god, how close Peter comes to disaster! He sends Jill into the impossibly complex, dark and hopeless fray and holds his breath, hoping.

What does Jill do? Why, she stops the forces of evil and assures that the forces of good—or at least capitalism anyway—will win out in the end. Can you not sense Peter's relief, Lucia, when he sees Jill stand and defy Phil and Kerry, when he sees the magazine draft? In one morning, Jill, although injured and in pain, returns to work, forces Phil & company to resign and unveils the first of many documents that prove Ferro won't sell Doc's Place. In less than two hours, Jill triumphantly hands Peter his victory over the forces of evil.

Doug, who knows his father better than any of us, explained how important and emotional this moment is. Perhaps Peter realizes how closely he just skirted disaster, which may be why he says to Jill, "If you do no other thing, you have delivered on your promise. Thank you." Ask Peter's son what it takes to elicit such a response from this man. Stand next to Jill and Peter when Peter's relief is most palpable. In that moment, Peter probably comes as close to tears as a sociopath can. How does he repay this lissome, injured warrior for saving his job and perhaps his career? I'll tell you how: he gives Jill whatever she wants.

Don't you care what Jill does with this blank check, Lucia? You say you find such details nonessential. I'm glad Mic doesn't agree. This is a major turning point in the story's action. We get to see what happens now that everything has changed.

Alan :
Benny, I stand in awe.

Lucia :
Wow, thank you, Benny and Doug. Obviously, I didn't see all that. I'm trying to think of ways to get over the embarrassment I feel.

Carlos :
While you're thinking of that, Lucia, I was hoping some dumbass Hollywood director doesn't think this is a perfect moment for Peter to grab Jill and give her a big kiss. First, Peter wouldn't even conceive of doing such a thing. Second, if he did, Jill would probably rip off his head and swallow all his blood.

Alan :
Naw, Jill would shove her hand into Peter's gut and wrench out his spine as the predator did to Sonny Landham.

Raj :
We here in Bengaluru believe that Jill would go Hannibal Lecter on his ass and eat Peter's face.

Jules :
I agree with Carlos, except she'd save the head and put it on a pike in the executive conference room. When people have questions about what she's doing, Jill simply tells them to go ask Peter.

Lucia :
Thank you for your helpful thoughts, boys, but I was thinking in a different direction. Am I the only one who did not see the importance of this moment to Peter?

Cie :
On the contrary, Lucia, I believe all this blood and gore is an attempt to distract from the truth that Benny and Doug were the only group members who saw the importance of this moment to Peter. The rest of us feel just as embarrassed as you do. You are the only one with the courage to admit it.