Doc's Place

© 2008, Michel Grover. All rights reserved.
Chapter 1 | Part 4
Saturday, September 15, 1984

"What is the compensation for performing two jobs in one?"

"If Ferro"s intention is still a secret after eighteen months, we pay you a bonus of a year"s salary. You"ve already negotiated an annual salary of thirty thousand with the Human Resources Manager, Louise Northcutt. Your total compensation for a year and a half is seventy-five thousand."

This proposal has so many problems I pause so I can decide where to begin. Start with the context and move to the objectives. "Jeremiah Strain"s son, Doc, mortgages this cash cow to pay his gambling debts, so Ferro purchases the cow for a bargain. Now Ferro wants to milk her for eighteen months while preparing her for sale at a considerable profit," I tell him. "If word gets out that Ferro intends to sell, that could reduce both the sale of milk and the profit from sale of the cow." Pausing, I ask, "Accurate so far?"

"Yes," he says, sitting still as stone.

Count to five before I continue. "You want two things, Mr. Marriott," I tell him. "First, you want profit as a percent of revenue to remain steady for a year and a half while you lay off half the employees and remodel Doc's Place. Second, you want Ferro"s intent to sell Doc's Place to stay out of the news media until you actually sell. Does that state your wishes?"

"Yes, it does," he says, staring at me, "however, revenue and profit are not your concern, are they?"

"They are, Mr. Marriott. If Doc's Place does not stay profitable, you may leak the information to the media just to avoid paying me the bonus. However, this is a process, not a single objective so the bonus scheme should reflect that."

He stares at me without a visible reaction but I'm sure he knows what is coming.

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Doc's Place Chat
© 2008, Michel Grover.
Chapter 1 | Part 4
Early 2008

Mic :
In the left frame, I'm posting Doc's Place, one of my copyrighted stories. I'll post a part of a chapter, wait for a while so people may leave comments or questions and then post those I find interesting.

Ian :
Thought you guys would like to know that you have yourselves a little fan club over here in Brisbane. Ten of us tuning in today to see what may transpire.

Mic :
Sorry, Ian.

Ian :
That's okay, Mic the dick. Held my breath so long I passed out and started breathing again, no worries.

Raj :
Her too a club, day by lissin in, thanks.

Mic :
I've been correcting some spelling and grammar of posts where appropriate. Want me to do yours, Raj?

Raj :
yes no problem please

Les :
Fascinating negotiation on the other side. Love how Peter says revenue and profit are not your concern. What an arrogant ass. Sorry Doug.

Doug :
Sorry for what? You can't hurt my feelings calling my dad names.

Ben :
I know Louise, which is not her real name. She lives up around Portola now. Hi, guys.

Mic :
Everyone, we're joined by Ben, one of earth's most devoted Grateful Dead fans and a friend of Jill's and mine for 37 years.

Ian :
Thought you only knew each other for 10.

Mic :
Jill and I for 10 but we've each known Ben for longer. Fact, he introduced us, sort of.

Lucia :
Story? You promised.

Mic :
On to Jill's next story, edited by yours truly for person, tense, etc. Jill is still on the road from Salt Lake City to Reno. It's the Thursday before the interview described in the story frame at the left.

Jill :

After I left the Wayfreight behind, I'm approaching Wells when I see a teenaged boy standing on the far side of the freeway beside a beat-up gray Honda Accord. He's waving his arms for help but no one is stopping. Check my mirrors and slow quickly. Brakes grab slightly to the right. Wonder if I have air in the hydraulics. Check it later. Roll across the median, check the traffic and accelerate across the eastbound lanes. Skid to a stop beside him and he hops over the door to sit beside me.

"Thanks for stopping," he says with a grin. Extending his hand, he adds, "Mark Tanner." His eyes drop to my tits and roam over my crotch before returning to look me in the face once more.

Les :
A letch with little self-control.

Doug :
Hey, I've heard of this guy, Mark Tanner. He was on one of those tv trials. He's heading east in September of 1984, right?

Jill :
Yeah. Why?

Doug :
Checking dates to see if same guy. Let u know.

Jill :
When I ask him what the problem is, Mark waves his hand and says, "Ah, I don't know. Piece o' shit has been nothin' but trouble ever since a friend loaned it to us. Damn thing keeps breaking down. . . ."

He doesn't want me approaching the Honda. Something's fishy, so I shut off the ignition, pull the keys and walk over.

Doug :
I got it! Same guy, did seven out of a possible fifteen for aggravated kidnapping starting in 1985. Guy was one of those weird fundamentalist types from Southern Utah. Damn!

Steph :
Just out of interest, how'd you find that so fast, Doug?

Doug :
You know how. My dad's a lawyer, subscribes to Lexis-Nexis, Westlaw, etc and I have access. Hoping I'll show some interest . . . fat chance. Like to look up felons I hear about though.

Ian :
Think we know where Melanie shows up now. You mentioned her on day one.

Jill :
Now I have to interrupt my own narrative to tell you something weird. It really did happen though, so tell me what you think.

In the corner of my eye, I see a young girl, barely fourteen, sitting in the back seat of the Thunderbird. She wears her brown hair in a ponytail. She has on a tee shirt, jeans and white, canvas sneakers. I've seen her before, starting in early July of the same year, 1984. She seems real and she always shows up when there's going to be trouble.

Lucia :
So . . . what are you saying?

Doug :
Smokin' a doobee?

Jill :
No. Used to when I was younger but in '84, it had been ten years.

Steph :
Who is the girl? What's her name?

Jill :
She never told me her name but I think she's me . . . at 14.

Raj :
She talk?

Lucia :
Move around?

Jill :
Yes. Shows up just before trouble and leaves after. When I ask who she is or why she's there, she tells me I already know.

Doug :
Goddamn it Jill, just when I find out you and Mic are maybe legit, you pull this shit. Now I think you're some kinda nut job.

Jill :
Told you it was weird.

Doug :

Déjà vu is weird. Hallucinating in broad daylight is nuts.

Lucia :

Hell with it. Continue the story.

Steph :
Wait. The girl's clothes, you said she had on white canvas sneakers.

Jill :
Converse All-Stars, high tops.

Maria :
Like from 1962.

Lucia :
Mom, what're you doin'?

Maria :
Sorry, I wanted to see if Jill would tell about stopping by the restaurant with your father.

Les :
What?

Lucia :
Story, story please. Post it all, Mic. Discuss it after.

Mic :
Jeez, ya bossy wench. Whose site is this?

Lucia :
Sorry but shut up and post already.

Jill :

Mark scrambles out of the Bird and comes after me, calling, "Whoa, whoa, where you goin', honey?" He runs up to me, reaches for my elbow but he misses and stumbles.

"Open up the hood," I say, my fingertips touching the hood.

Meanwhile, the girl climbs out of the T-bird and approaches slowly, staying back to watch, I guess.

Mark says, "Look, I just wanted you to give me a lift into that little shit hole of a town." Reaches for my shoulder, perhaps to push me away but I've seen what's inside the car so I take his hand and bend it back. Drops to his knees and yells, "Ow, let go' me, you psycho bitch!"

"Mark," I say, applying gentle pressure on his palm until he is quiet. "Mark," I say again, trying to get his attention.

"What?" he grunts.

"Don't try to grab me, okay?"

Release him and he dives for my knees. Take one arm, step around, twist it behind him and set one knee in his lower back, pushing his face into the gravel. "Mark," I say again, "I'm going to release you, but if you grab me again, I'll put you out and handle this without you. Nod if you understand." He nods, scraping his face on the gravel.

Ian :
You know karate, Jill?

Ben :
Jiu-jitsu, and watch out, she'll kick your ass while sippin coffee. Seen it.

Ian :
Thot it was spelled jujitsu

Carlo :
Westernized. Here in Brazil, we spell it as the Chinese originally did. Ben has it right. Hey everybody, I'm a big fan here in Sao Paulo.

Raj :
Better move on or Lucia shout

Mic :
Right, we don't want to piss off Lucia, do we?

Lucia :
guys=morons

Jill :

While he's recovering, I step around to the driver's side, bend down and look inside. "Are you okay, ma'am?" I ask the skinny blonde in the front seat.

She stares at me wide-eyed and shakes her head. Her knees are drawn up to her chest. Has a little afghan pulled around her body. Looks like the seat cover and she's naked under there. I hear Mark getting up, so I say softly, "I'll be back to help you."

Turning, I watch him approach, his hand hiding something behind his leg. Figure it's probably a knife from his boot because I would have found it in his pocket when I had him on the ground. He telegraphs his move, swinging the four-inch blade wide. Stepping inside, I turn and slam my heel on his foot as I take the hand with the knife and twist it, hip throwing him to the ground. Keep my knee on his carotid until he passes out.

Get up and walk to my trunk, folding his knife and pushing into my hip pocket. Take out my duffel and a roll of duct tape. Use the tape to cinch up Mark's wrists and ankles. Then I kick him under the Honda.

The girl in the white sneakers walks over to Mark, drops to one knee, looks at him and then looks at me.

Steph :
How many times had you seen this girl by then?

Jill :
This was the fifth time.

Maria :
She look like you?

Jill :
Yeah, sort of.

Lucia :
Does she look like photos of you when you were a kid?

Jill :
Don't have any.

Steph :
Kidding. Everyone has photos of your self as a kid.

Mic :
She's not kidding. Checked with her family. Never stood still for a photo as a kid so no photos of her until she's in her early twenties in the Air Force.

Les :
You were in the AF, Jill?

Lucia :
Quit interrupting Jill's story and shut up! Mic, wake up and do your job.

Les :
Rank discrimination, by God.

Carlo :
got that right. . . . north american women

Jill :

Open the driver-side door and squat. From my duffel, I take underpants, a pair of jeans and a tee shirt. Hand the clothes to the blonde, but she just stares at me so I set the clothes on the center console. "Hey," I say softly, "This your car?" She shakes her head. "Where's home? Reno?"

Shakes her head again and says softly, "Melanie."

Nodding, I say, "Melanie. My name's Jill Price. You a California girl, Melanie? A surfer?" To my surprise, she nods with just a flicker of a smile. "No shit. LA?"

She shakes her head quickly like a little girl, even though I put her at about sixteen. "Near Pismo," Melanie whispers with just a bit of a smile again—straight, white teeth. She picks up the tee shirt.

"Pismo Beach," I say, frowning. "Yeah, I went through Pismo Beach in 1965 with a couple girlfriends. A campground and sand dunes, I think."

Melanie gives a little giggle. "I wasn't even born yet." She drops the afghan, revealing her girl body, and pulls on the tee shirt. Melanie lifts her butt to pull on the underpants. She's a real blonde, haired over and bikini tan lines. She pulls on the jeans, which fit her pretty well, and rolls up the cuffs once.

I hear Mark groan under the car. Melanie seems to ignore the sound. "Any of this shit yours, Melanie?"

"No," she says, shaking her head. Melanie opens the door and steps out, stretching. In her bare feet across the gravel, she walks over to my car and stands beside it, just looking.

I respect that, not touching without permission. My bag and the tape go back in the trunk. "I'm heading west, Melanie. If you're heading that way, hop in." I open the driver's side door and stand watching her.

Melanie looks at me. "Jill," she says.

She could be really fucked up so I wait.

She looks at the car again. "This is a Ford Thunderbird, right?"

"1963," I tell her with a nod. "Called a Sports Roadster."

"What do they call this paint color, Jill?"

"Silver blue metallic."

Carlo :
Oh man, you got a picture?

Jill :

Got one from a promotional brochure around here somewhere. I'll find it. Here it is—1963 Ford Thunderbird Sports Roadster.

 

Jill :

She repeats the paint color in a whisper. Looking up again, she says, "You rescued me."

Exhale through my nose, wondering how long this shit is going to take. Besides, something about Melanie has begun to bother me.

"So I owe you big time, right?"

I take a deep breath and sigh. "Not how it works, Melanie. You don't owe me shit."

"What is that? Some kind of code?" she asks, tilting her head and looking at me.

Suddenly, I realize what bothers me about her. Ever since she said that I rescued her, Melanie's demeanor has begun changing noticeably. She has become more aware and more . . . calculating. Nodding, I watch her as I say, "I guess so."

"I've never heard of a code like that," says Melanie.

"It's something you assume when you take responsibility for your life, Melanie," I say, giving her a little of the edge—see if she can take it as well as dish it out. Besides, Mark is waking up, twisting around to look at us. Probably hears us talking.

"When I take responsibility for my life," says Melanie. "Like I haven't yet." Shake my head and she says, "Jill, I grew up sheltered but I'm not stupid. And I'm not fucked up if you're thinking that."

Purse my lips and glance west. That's my future calling. Should be on my way to Reno for a job interview, not discussing philosophy with a spoiled, manipulative California surfer bitch.

"Okay, I get it, Jill," says Melanie. "You own this Thunderbird. You live by a code."

Turning to her, I ask, "Melanie, you want to go back home or not? If not, your future's working his way loose over there and I have business in Reno."

"Thanks, but I can take care of myself. Still have Mark's knife?"

Pull it out of my pocket and toss it over. She catches it easily. She turns and begins to walk back across the gravel to the Honda, but stops part way and turns to look at me. A truck roars by and billows the air.

"You want some cash?" I call out, wondering if I'm doing the right thing leaving her.

"He owes me," Melanie says. "I'll take his."

Shrug, slide into the seat, start the engine and go.

Carlo :
Gorgeous car. Still got it?

Jill :
Nah, sold it the next year.

Ben :
Goes thru cars like you and I go thru tee shirts, man, 5-6 a year. Buys junkers, fixes em up and sells em.

Les :
I still got tee shirts from when I was a teenager.

Jill :
Still have my '53 Chevy pickup. Had that for over 30yrs.

Lucia :
Wait a second, is that the whole story?

Jill :
For the moment.

Maria :
My Carmine pulls her over in a few minutes, which, as Paul Harvey used to say, is the rest of the story.

Doug :
Harvey? Who's he?

Raj :
Radio show, still on I think. Audio files on the web, just search `em.

Lucia :
What about the girl?

Jill :
Whenever I get distracted, she just disappears, which she had done before I left.

Doug :
Mark Tanner, aggravated kidnapping. Blows me away.

Lucia :
Jill's stories are better than yours, Mic. Don't quit your day job.

Mic :
women=go for the scrote, every time

Maria :
hey watch your language, that's my daughter

Ben :
he is, don't get him started

Steph :
like get him drunk?

Ben :
no, that just turns him stupid but bring up politics, history, fundamentalist religions, women, education, the environment, birth control, la, la. We do it just to watch the show.

Steph :
Doesn't do much for your image, hanging around with this guy, Jill.

Jill :

Harmless, irreverent and amusing—now and then. My kind of people.