After a bathroom break, Lloyd and I settle down in the office again. We work for two hours outlining scripts for debriefing the executives after each meeting. Liz or I or one of the graduate assistants will watch videotapes with the executive and run through the script with him or her. When we finish, Lloyd begins typing our day's work.
Work the headphones on and call the Galeti warehouse. When Sam answers, I ask how the shooting's going. Without hesitation, he bellows out the question. I can hear Penny answering in the distance.
"They're doing fine according to Penny," says Sam. "She wants to know if you can start reviewing photos Thursday about noon."
"Great. Can you and Charlie come as well?"
"What for?"
"I'll have questions about the photos, Sam. Also, can you bring whatever printed matter you've collected about those nickelodeons?"
"I don't know."
"It'll be a working lunch. I'll feed you guys."
"We'll be there," says Sam.
Disconnect and call Liz. When she answers, I ask, "What's that bitch professor saying now?"
"Nothin'," says Liz. "I got a call from the dean of the graduate business school this morning. He told me to let him know personally if I encountered any problems on this project from his end."
"You are a bad-ass."
"Damn right," she says. "And I have a dozen graduate applicants for the project. I'm reviewing their applications right now."
"Good. Listen, Liz, I'm going to have someone deliver you detailed outlines for conducting the debriefing sessions with executives and outlines for the scripts. Remember we discussed those?"
"Sure, I remember."
"When you get them, draw up training for our two graduate assistants. That should help you in the selection process."
"Roger that. Do you want to review my selections?"
"Shi-it no, I'm not getting in your way. You might kick my ass."
"Should I review my selections with anyone, like Louise, for instance?"
"Absolutely not. She is one of the intervention subjects. Anything else?"
"Nope."
When I disconnect, Lloyd begins handing me typed pages for review. I scan them quickly, moving a few paragraphs around and making a few other marks with blue pencil.
Lloyd scans my changes and says she understands what I want. "I can edit these notes as I type them."
Watch her working for a minute, and tell her, "You're smart, Lloyd."
"I'm not smart enough to come up with any of the stuff I'm typing here. It isn't easy having a boss who is not only twenty years my junior, but smarter than me as well."
"Does the work interest you?"
"No, it fascinates me."
"Well, then bullshit. You're smart enough to come up with this once you've had sufficient education. You already have the organizational experience."
"What are you saying? I should attend school for six or seven years until I finish my post-graduate work?"
"Why not?"
"Money, for one thing."
Call Le and ask what Pere's educational benefit is.
"Full ride if the employee works full time, which is thirty hours a week. That includes tuition, books and fees. The employee commits to maintain at least a three-point-oh average and works at Pere for two years full time after graduation."
"Anyone doing that?"
"Practically everyone but Mei, who has her master's already, and Ume, who knew everything about business from birth. Even Margaret and I are attending classes."
"Great. Lloyd will stop by the office later. Would you review the whole Pere benefit package with her, please?"
"The whole package includes bonuses. Is she a keeper, Jill?"
"Indeed she is. Thank you, Le."
Look at Lloyd. "Work at least thirty hours a week, give Pere two years after you get your master's degree and Pere will pay your tuition, books and fees."
She stares at me, her mouth gaping. She closes it, looks down at her work and takes a deep breath, releasing it slowly.
"Stop by and see Le this afternoon, Lloyd. She'll review all the benefits with you. Right after you drop off a copy of this manuscript to Liz Coates at Doc's. Okay?"
"Okay," she whispers, blinking at the typewriter. "Thank you."
Watch her type for a moment. Then I make another call to Doc's and ask for Glenn or Morty.
Kelly says, "Hi, Jill. Morty and Glenn are off Tuesdays and Wednesdays. They work weekends so they can talk with the players."
"Oh, they must have worked last week because Kerry was down in Vegas."
"Right. Do you want Kerry?"
Think about that for a moment. "No thank you, Kelly. I'll talk to the guys on Thursday afternoon. Is Louise there?"
Louise is pleased that the photo shoot is moving along. She patiently listens to my progress report, and then asks, "Are we on or ahead of schedule, Jill?"
"We're on schedule."
"Your projects are chewing up Doc's resources, Jill. Liz and Sam are working on your stuff." When she realizes I'm not going to respond further, she asks, "Shouldn't we should slow these two projects down so these people can do their jobs?"
"Absolutely not."
"What's the rush, Jill?"
"There is no rush. We're on schedule."
"Let me explain it another way. I'm getting criticism from the top regarding your use of these resources."
"I understand."
"So, will you back off a little?"
"Nope."
"You can't ask everyone to accommodate your schedule, Jill."
"I certainly can, Louise."
"Why?"
"I have budget approval." Hear paper rustling.
"Your publication budget states that you require . . . the full-time assistance of the Marketing Projects Manager for two months. Your communications budget states that you require the Employee Relations Manager full time through March 1985." Louise pauses and then says, "You have budget approval for these resources, Jill." When I do not respond, she says, "People should read these approved budgets before complaining about your use of resources." After a pause, she adds, "And I should have read them thoroughly before confronting you. I apologize."
"Remember telling me that casino executives can appear hard and even scheming, Louise?"
"Of course. My assessment was that you are tough and direct, that you would stay focused on your objectives."
"You know these guys."
"I can handle that criticism now. Anything else you need from me, Jill?"
"No, Louise. Thanks for your time."
"I appreciate your calling each afternoon to let me know your status."
Disconnect and stare at nothing. After a moment, I punch in Lucy's number.
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