Doc's Place

© 2008, Michel Grover. All rights reserved.
Chapter 19 | Part 1
Monday, October 15, 1984

A tall, slim woman, dressed in a business suit, her dark hair pinned back, strides off the plane first. She is carrying a small bag with a shoulder strap and a compact, leather valise. Her creamy brown skin glows with health as her dark eyes scan the area calmly. Her eyes come to rest on me as I step forward, Lloyd in step beside me.

"Sara Toone?"

Her smile is disarming and friendly from such a cool, collected beauty. "Yes," she says, extending her hand. "You must be Jill Price."

Take her warm hand in mine. "It's a pleasure to meet you, Sara." Our eyes meet and hold for a moment. Sara exudes the strength and charisma of a maturing tiger.

"And you, Jill," says Sara.

"Welcome to Reno. This is my associate, Lloyd Dominguez."

Lloyd appears awe-stricken. She recovers quickly and takes Sara's hand but she does not speak.

"Jill and Lloyd, thank you both for meeting me," she says. "It is gracious of you, and I appreciate it."

A boy of perhaps six years with my friend Millie Carter in tow, steps up and says, "Don't forget to call me when ski season starts, Sara."

She kneels and hugs the boy, kissing his cheek. "I won't forget, Eric. I have your number. I'll call you and we'll make a date to go skiing, okay?"

"Okay. Are these the people meeting you at the airport?" he asks, looking at Lloyd and me.

"Yes. Would you like to meet them?"

"I'd like to meet this lady," he says, pointing at Lloyd. "She looks nice. I already know Jill. She doesn't like kids."

Kneel on one knee and look Eric in the eye. "I like kids," I tell him. "With salt and pepper. Maybe a little ketchup."

"You don't scare me, Jill," says Eric. "You're my mom's friend. She told me you talk like that because you don't know many kids."

"I know a lot of kid recipes. Does that count?"

Eric looks at Sara. "Can you believe the way Jill talks to kids?"

"She is probably trying to sound grumpy. Do you know what that means?"

Eric eyes me suspiciously. "That she's really nice?"

"You know how to tell?"

Eric looks at me doubtfully and says nothing.

"She has nice friends like your mom and Lloyd. Eric, this is Lloyd Dominguez."

Lloyd kneels and hugs Eric. "Nice to meet you, Eric. You're handsome."

"Thank you. Why do you have a man's name, Lloyd?"

"My father wanted a boy so he named me Lloyd."

"Do you have kids?"

"Yes, I do and I have two grandchildren who live in Carson City. I love children."

"Good," says Eric, glancing at me.

We stand and begin moving up the concourse with Eric and Millie. Hug Millie as Lloyd and Sara take Eric's hands and lead him away from the gate. Watch Sara's eyes glide over the two airport security guys leading us. She also glances back to see Don and the blonde following.

Brush the back of Sara's hand with mine, and say softly, "Hand me your baggage claim receipts please, Sara. Security will put your bags in the trunk when we swing by the curb."

Sara hands me the claim receipts from her inside suit pocket.

Pass them behind Sara to Lloyd, who hands them back to Jeff.

We say good-bye to Millie and Eric as they turn aside to baggage claim and we walk quickly to the Buick.

Ask Lloyd to sit in back with Sara. Take the wheel and drive slowly, looking about carefully. Listen as Lloyd explains to Sara that a hired assassin shot and nearly killed me ten days ago and that some guy jumped me earlier this evening. Once outside the parking area, I pull to the curb far from baggage claim and wait for Jeff to appear with Sara's bags. Jeff's partner is standing at the curb, looking around. Watch Don's unmarked police car park about fifty yards behind us.

"How's the guy who jumped you earlier this evening, Jill?" asks Sara.

"He'll recover. I hope he's talking to the police at the moment." Jeff, carrying the luggage, approaches the curb. When I see a break in the sparse traffic, I check my mirrors and move the Buick. Brake in front of Jeff and pop the trunk. He tosses the bags inside, slams the lid and I accelerate quickly, checking that Don's car is in my mirrors.

"You sprung a lot of the taxpayer manpower in a short time, Jill," says Sara. "Have you made arrangements for your own security?"

"Yes."

"How did you know these people don't work for Jill?" asks Lloyd.

"Too soft," says Sara.

"I hired a guy away from the feds today to run operational security, Sara," I tell her, glancing in the mirror. "He shows up late tomorrow afternoon."

"Where will I be staying?"

"With me tonight," I say, glancing into the mirror. The back streets are quiet this night so we make good time. No one follows, other than Don. As I approach Baron Ranch, I see a tow truck lifting the front of a black Ford Custom. Someone smashed in the driver's side window. "Uh oh," I whisper.

The gates open and I pull through, making eye contact with the guard. His expression says things are under control. In the rearview mirrors, I see Don parking outside the gate. Pull into the garage, pop the trunk and we pile out.

Sara and Lloyd bring in the luggage as I walk inside to get Soji's report. Find him in the kitchen laying out a late snack for us. Wash my hands at the sink as he tells me what happened at the gate.

"The driver of the Ford parked about ten minutes ago," says Soji. "He left his engine idling and told the guard he was checking directions. The guard broke the window, disabled the driver and shut off the ignition. Found a shotgun with one in the chamber and a full magazine under a jacket on the front seat." Soji pauses as Lloyd and Sara walk through and then continues, "The guards restrained the driver and called the police."

"Detective Locaccio is out at the gate now," I tell him. "A guy jumped me in the restroom of the Flamingo. I called for backup at the airport. Don followed us home."

The phone rings and Soji answers it. "Detective Locaccio is on his way up, Jill."

Open the front door.

Don walks in and we hug for a moment. His arm around my waist, we walk into the kitchen so Soji can hear this. "My partner is taking statements at the gate and I listened to some of it. I also called in to get the report on the guy at the Flamingo."

Soji and I are listening to Don but he pauses.

Lloyd walks up behind Soji and me and rests her hands on our shoulders. "Excuse me," she says, "Hello Don." He nods. Lloyd continues, "Sara will take a shower and come out in just a moment." She sees the food, and adds, "Good, you're fixing something to eat. The poor girl's starving. She wouldn't eat on the plane so she hasn't eaten since breakfast." Smiling at Don, she leaves.

Don continues, "Both these guys are local. Work for Skinny Jon, your mark in the card game at the Flamingo. Apparently, Jon's overextended financially and you cleaned him out tonight. Both these guys say Skinny Jon sent them after you to get his money back."

"That's it?"

"From what we can tell so far, Jill, this is just a local flare-up. The uniforms will pick up Jon and bring him in for questioning but we don't expect much more than this."

"Guess I overreacted, asking for backup at the airport."

"After what you've been through? You'd have been negligent if you hadn't called. Imagine if this had been a legitimate hit. People could have been hurt, or worse." When I don't react, he says, "I'm glad you've hired Tony and that you're going all out with security."

"He'll be here tomorrow afternoon. Tony will be my chief of operational security, so he'll set up the entire apparatus."

Don looks at me and shakes his head. "Some time, not tonight, you have to tell me how much shit you're into, Price."

Grin and slap him on the back as I walk him out the front door. "Thanks for the quick response, Don. Please convey my thanks to Jeff and his partner." Hug him and watch him walk down to the gate.

Suddenly, I call out, "Hey Don!" He pauses and turns. "Bring your pickup over tomorrow evening. I'll take a look at it."

He points at me, turns and walks away.

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Doc's Place Chat
© 2008, Michel Grover.
Chapter 19 | Part 1
Spring 2010

Lucia :
Mic has posted in the left frame paragraphs from Doc's Place, one of his copyrighted stories. I'm moderating chat here in the right frame. I post every day, but I don't post everything. I have formed a secondary group from which I may also post comments.

Marcus :
This is the woman who develops bank deals worth tens of billions of dollars. This woman conceives of and designs the neural network. This project audit manager out of Chicago eventually enables Pere to close 100% of its business deals with a profit year after year for more than 20yrs.

Suze :
What's the matter, Marcus? Wish you had spotted her first?

Marcus :
It simply amazes me how much influence one person can have if she's in the right position at just the right time. I'm also interested in learning what motivates Sara eventually to work for Jill and Ume when she could have started her own business.

Suze :
We do have some idea of her motivation, Marcus. Sara is running from the US government. Isn't that right?

Amalie :

Yes, it is, Suze, but at this point, the government only suspects that someone accessed MILNET computers last year. They know that a person or persons did something but they don't know who did it or what they did. Government agents are not actually pursuing her at this moment.

While Sara comes from a wealthy family and stands to inherit a considerable fortune, she cannot access that money unless she shows up in person at law offices and banks to identify herself. She does not know yet if federal agents are watching those law offices and banks, but she strongly suspects they are. At this point, she believes that showing up, identifying herself and asking about specific cases or accounts will attract unwanted attention, so she decides to do her job and blend in as well as she can.

Sara told me that some of the agents she found on her trail were actually SIA investigators working for Ume. By this time, SIA has identified Sara to Ume, who knows where Sara works and lives. Ume knows enough to set up this audit opportunity. However, Sara doesn't discover this fact until weeks later. Federal investigators do not actually show up at those law offices and banks until December. On this particular Monday night in October of 1984 at the Reno airport, Sara is running from imaginary pursuers——ghosts.

Suze :
Federal agents are not actually pursuing Sara but she thinks they are. SIA has identified Sara to Ume, who has set up Jill to arrange this audit for Pere. How much of all this does Jill know?

Amalie :
Not much, but Ume understands how Jill thinks and acts.

Annie :
Since Mic writes the story from Jill's perspective, we have no idea how Sara perceives Jill. It would be interesting to know Sara's first impressions. Did Sara mention this to you, Amalie?

Amalie :
No, and I'm sorry now that I never thought to ask. I would also like to know.

Annie :
Even though Millie is her friend and she's meeting Sara for the first time, Jill makes no effort at all to be nice to 6yr-old Eric Carter.

Suze :
No, instead, Millie and Sara cover for Jill, make excuses for her behavior with Eric. How much effort does it take to behave civilly toward a child?

Benny :

Effort is not the point, Snuze. Candor is. Eric, like any child, can usually tell if an adult is lying. Jill kneels so she can look him in the eye. She listens to what he says and responds. That is Jill to the core. It's refreshing for a boy to see an adult look him in the eye and tell him straight out what the adult wishes to say. Eric says Jill doesn't scare him.

Notice also that Jill remains kneeling beside Eric during the entire conversation. That's not for Eric's benefit; it's for Sara's. She must know that in a little while, Jill's laser-beam focus will be on her and she must respond.

By now, all of you know how much I love the details in these story parts. The way Mic drops details all over the scenes moving from the airport to the car and home makes me drunk with pleasure. I can't begin to discuss it all but I'll hit a few high points.

After they stand and begin walking, Jill watches Sara notice airport security and the detectives. Then Jill brushes the back of Sara's hand with hers to get her attention. All of that is also Jill to the core. Keenly aware of others' actions without appearing to be so, soaking up details as quickly as she can to help determine her words and actions later.

Sara is hyper-alert as well, picking up details like the security detail and that the detectives are too soft to be Jill's employees. Sara won't say that unless Jill seems hard, wiry and quick. She wants to know more about Jill because Sara asks where she'll be staying.

I can't know this for sure, but when Jill says Sara will be staying with her tonight, I think Jill lays down an implicit challenge: deliver or you'll be on your way; impress me and I may keep you for another night. Blow me away and I'll give you a life such as you never dreamed possible. The fact that no one says a word for the remainder of the drive home suggests that Sara is processing all the details and formulating a rough plan for the evening. I think the silence means that Sara likes what she sees and considers seriously accepting Jill's implicit challenge.

Amalie :
You are drunk, Benny, and so are we. Pick another detail and expand on it, please.

Doug :
Careful when Benny's drunk, Amalie. He might fall in love with you again. Then we'll have to take him out to the woodshed and paddle his behind.

Lucia :
Shut up, Doug. Go ahead, Benny, you know we girls love it when you go on like this. Pick a detail and flesh it out for us.

Benny :

After Jill answers Sara about staying with her tonight, Jill glances into the mirror. I believe that she wants to catch Sara's reaction to her implicit challenge. My guess is that Sara is giving Jill a good stare——looking directly into the mirror. From that, I believe Sara senses the challenge. Sara does not respond yet because she's still collecting and evaluating details, forming impressions and looking for the patterns.

Remember the cloud of lights Amalie describes in dpc2:7? I believe Mic and Jill try to distract us from Amalie's description because they've seen it before. Picture a cloud of lights in which each light is a detail, an impression and so on. I'm not certain but I believe Amalie organizes details, impressions and patterns within a cloud of lights as Sara does, which is why Sara becomes Amalie's mentor.

Sara surveys her cloud of lights and begins to form a scenario in which Jill protects her from the government, gives her responsibilities to make a good living and provides her with resources for accomplishing her fantastic goals and wild dreams. Based on what Amalie just told us about Sara's paranoia, my feeling is that Sara literally refuses to believe her good fortune. She is probably thinking, `How is it possible that I land at the exact moment I need this situation the most? This is no coincidence. Who is making all this happen?'

Lucia :

This is what we love about you, Benny——a careful and detailed but always accurate analysis of details.

Raj :

Our group here in Bengaluru would like to analyze another detail. After leaving the airport but before the moment Benny focuses upon, Sara and Jill share a brief conversation about a particular subject——security. We believe that this is, as Benny mentions, due to Sara's paranoid concern with her own safety and Jill's ability to protect her, if necessary.

Sara's first question is about the slim guy who jumped Jill. We do not believe Sara cares about his welfare at all. Rather, we believe she is concerned that Jill intends to follow up on this incident and not just let it go. We do not believe, however, that Sara is satisfied with Jill's reply suggesting only a minimal response.

Following up with a comment to prepare the way for her second question, Sara gets right to the point. Jill has obviously used the police and airport security—taxpayer manpower, she calls it. Without waiting for Jill's response, Sara asks, "Have you made arrangements for your own security?"

Jill simply says yes, but for Sara, this is insufficient. It would have been interesting to learn how Sara presses Jill for a more complete response but Lloyd interrupts. When she asks how Sara knows they weren't Jill's people, Sara says they were too soft. This suggests that she wants to hear more about Jill's private security arrangements. It also suggests that those arrangements had better be an improvement over the civil servants she saw in attendance this night. As soon as Jill tells her about hiring a federal agent to run operational security and that he'll be in Reno tomorrow, then and only then does Sara seem satisfied enough to express her next concern——where she will be staying.

Suze :
Why are Pere's security arrangements so deficient?

Raj :
Lizzie answers this in dpc17:3. Midori receives most of the security budget throughout the 70s and 80s. Apparently, Midori needs many SIA personnel to battle the Chinese criminal organization. Midori's security requirements remain high throughout the 1990s until SIA is able to eradicate this criminal organization.

Lucia :
If no one minds, I finally received an update from JoeRay, the performance shop owner who asks Jill the business questions back in dpc11:2. This falls under the heading of good news and bad news. JoeRay says business was just beginning to pick up when his wife decides to leave him for another man she became involved with while JoeRay deployed overseas. JoeRay gives up all of his military savings, his house and a car as well as almost a thousand a month in alimony payments for 10yrs just so he can keep his business free and clear. His business is doing well but JoeRay says it will take years to recover from the financial losses due to his divorce. That's it for now. JoeRay says he'll keep us updated.

Doug :
Poor guy is probably glad he didn't have any kids with that bitch or she would have hit his wallet even harder.

Suze :
Now, Doug, you know there are always two sides to every story.

Doug :

Yeah, there sure are sides to this story and stories like it, Snuze. There's JoeRay's side in which he fights for his country and sends his money home to his wife. There's his wife's side in which she uses the money her soldier husband in combat sends her so she can sign up with a gym and get fit, go to the hairdresser and get pretty, and go to high-class bars and meet guys. Once she finds a guy with decent looks and bucks, she takes him home and gives him sex. She dumps her loser husband because he's only a combat veteran with too many problems, too many expectations of her and too few prospects to support her lazy ass in the lifestyle to which she has become accustomed.

The only consolation for JoeRay in this entire sordid affair is that he gets rid of this lazy gold-digger before they have children and before he hits the big time with his business. I just hope he's smart enough not to take her back when she dumps the guy she dumped JoeRay for and comes back smiling because he's starting to make his business succeed.